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      <image:title>work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>"Psychedelic Bear Pit" (2015) is an installation which seeks to brighten the day of a student in a high school</image:caption>
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      <image:caption>The act of walking is, in itself, tied with notions of enlightenment, progress and destruction.</image:caption>
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      <image:caption>“Pier 27” (2018) is a complex of 60 shipping containers designed for vulnerable youth, a demographic which represent 27% of homeless people in Australia.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a45d708cd39c39db5db8291/1529508218122-E984O3YX8SQLSHMLZ0MN/_DSC7574-2.jpg</image:loc>
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      <image:caption>“BAG” (2018) is a photographic series satirising the hyperreality of high fashion.</image:caption>
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      <image:caption>“Good Morning” (2018) is a video work which highlights the clinical nature of substituting real experiences with technology.</image:caption>
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      <image:title>work</image:title>
      <image:caption>Every day, we print in the thousands on crisp, sparkly paper - the result of a vigorous process from grinding logs, dissolving pulp in chemical vats and bleaching out impurities.</image:caption>
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      <image:title>work</image:title>
      <image:caption>"10:56-11:00" (2017) is a photographic series investigating the selca and ulzzang phenomenon.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a45d708cd39c39db5db8291/1563706783153-SN6M1BVNJGGV05552L2M/48270434_344210652826612_1464608071551549440_o.jpg</image:loc>
      <image:title>work</image:title>
      <image:caption>From ad-hoc choral harmonies to childhood skipping, “Rainbow Threads” (2018) uses a polychromatic fabric chain to facilitate interactions between friends and strangers alike.</image:caption>
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      <image:caption>#mealtimewithdilly is an online art project curated by Dylan Goh. It is inspired by Goh’s grandmother who expresses love and generosity through the medium of delivered home-cooked meals in the isolating age of COVID-19.</image:caption>
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      <image:caption>"Fire Cycles" (2016) is a series of ceramic vessels about recovering from trauma.</image:caption>
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      <image:caption>“Lunar Wishes” is an ode to the Lantern Festival (元宵节) and its magnificent display of lanterns on the fifteenth day of the lunar new year. Wishes from Georges River locals are inscribed onto sky lanterns - traditionally released to the heavens to bring fortune and a safe return.</image:caption>
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      <image:caption>A-Mah and I (亞嫲和我) attempts to connect with my late grandmother through Gong Fu Cha – a mindful, Teochew brewing technique for tea which has existed for over 350 years. My late A-Mah was a single mother who worked tirelessly to sustain her eight children. She had little time or means to engage in the pastime of Gong Fu Cha. This installation of a miniature, handbuilt tea set in a domestic shrine invokes a transcendent ritual of Gong Fu Cha between A-Mah (who can now rest) and myself. It speaks to the chasm of unknown histories experienced by second generationers investigating their family’s migratory history.</image:caption>
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      <image:caption>졸려 is a video installation recreating a dreamscape with 태형 from BTS.</image:caption>
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      <image:caption>: Link to Video : Link to Translated Transcript … In 2020, we went from weekly dinners with sixteen people at my grandparent’s place to mandated separation.</image:caption>
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      <image:caption>kaikai re-creates my grandma's dinner table and her handmade zongzi (粽子), a glutinous rice dish involving hours in preparation of ingredients, wrapping and cooking.</image:caption>
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      <image:caption>Celestial Pancake is a suspended audio-visual installation composed of a four-meter radius ‘ceiling’ with fibre optics and an evolving four-point soundtrack.</image:caption>
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      <image:title>writing - Make it stand out</image:title>
      <image:caption>Group improvisation during Part 3 of Friendship Palette Session held on 26 May 2023</image:caption>
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      <image:title>writing - Make it stand out</image:title>
      <image:caption>Group improvisation during Part 3 of Storytelling Palette Session held on 4 June 2023</image:caption>
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      <image:title>writing - Make it stand out</image:title>
      <image:caption>Group photo at the end of a regular Palette Session held on 31 March 2023.</image:caption>
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      <image:title>writing - Make it stand out</image:title>
      <image:caption>Dancers discussing the elements of each other’s movement in Part 1 of Friendship Palette Session held on 26 May 2023</image:caption>
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      <image:title>writing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>writing - Make it stand out</image:title>
      <image:caption>GRIMM JAM: VOL. 4 시도, 2022. Photo: Daian / 다옌</image:caption>
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      <image:title>writing - Make it stand out</image:title>
      <image:caption>GRIMM JAM: VOL. 5 시도, 2022. Photo: Daian / 다옌</image:caption>
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      <image:title>writing - Make it stand out</image:title>
      <image:caption>GRIMM JAM: VOL. 5 시도, 2022. Photo: Daian / 다옌</image:caption>
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      <image:caption>GRIMM.B team photo, 2023. Photo: GRIMM.B</image:caption>
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      <image:caption>GRIMM JAM: VOL. 6 시도, 2023. Photo: Daian / 다옌</image:caption>
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      <image:title>writing - Make it stand out</image:title>
      <image:caption>GRIMM JAM: VOL. 6 시도, 2023. Photo: Daian / 다옌</image:caption>
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      <image:caption>GRIMM JAM: VOL. 5 시도, 2022. Photo: Daian / 다옌</image:caption>
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      <image:caption>JAE-SANG, 2023. Photo: Jeong Seung Hyun (@feelrec)</image:caption>
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      <image:caption>JAE-SANG, 2023. Photo: Jeong Seung Hyun (@feelrec)</image:caption>
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      <image:caption>JAE-SANG, 2022. Photo: Jeong Seung Hyun (@feelrec)</image:caption>
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      <image:caption>IMAGE: Arcai &amp; Brian Wei; Destructive Steps 16, 2 v 2 experimental dance battle: Top 16, organised by Destructive Steps Dance Association; Sydney: Australia; photo: Namchops : Read this newsletter here.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a45d708cd39c39db5db8291/1676077641243-XVAWVGAAIWA6CJKR2H82/Scotty+So+-+One+Night+in+Chinatown+1966.jpg</image:loc>
      <image:title>press kit</image:title>
      <image:caption>Queer Haymarket Tour was a 45-minute walking tour re-imagining the architecture, history and social life of Sydney’s Chinatown through queer performances by Asian Australian artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a45d708cd39c39db5db8291/1676077307340-G7MCWY86YAPBDZ516AHS/Michael+Sun+-+Haymarket+is+camp%2C+actually.jpg</image:loc>
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      <image:caption>Emerging from the absence of well-documented queer voices in the precinct, live activations were curated across dance, readings and performances.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a45d708cd39c39db5db8291/1676077910446-6Y41NORCMX5LLGX6SDXD/Maggz+-+Webster.jpg</image:loc>
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      <image:caption>Collectively, these performances imagined a precinct which visibly celebrates queer Asian Australian communities…</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a45d708cd39c39db5db8291/1676076045492-9HDB5GXC8HYHJKFTEH3F/Jazz+Money+-+Its+Always+Been+Always.jpg</image:loc>
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      <image:caption>…while also acknowledging the voices and ongoing custodianship of First Nations peoples in this place.</image:caption>
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      <image:caption>Image credits 1: Art in the Heart of Haymarket: 4A/24, 2022, Banchō Bar, Sydney. Scotty So, One Night in Chinatown 1966, 2022, performance; photo: PUSH MEDIA for 4A. 2: Art in the Heart of Haymarket: 4A/24, 2022, Haymarket, Sydney. Michael Sun, Haymarket is camp, actually, 2022, spoken word; photo: PUSH MEDIA for 4A. 3: Art in the Heart of Haymarket: 4A/24, 2022, Haymarket, Sydney. MaggZ, Webster, 2022, movement performance; photo: PUSH MEDIA for 4A. 4: Art in the Heart of Haymarket: 4A/24, 2022, Haymarket, Sydney. Jazz Money, It’s Always Been Always, 2022, live performance, performed by Dylan Goh; photo: PUSH MEDIA for 4A.</image:caption>
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      <image:caption>Acknowledgements Art in the Heart of Haymarket was held at 4A's Haymarket gallery, Museum of Chinese in Australia, Haymarket and Chinatown streetscapes. This festival was proudly funded by the NSW Government through the CBDs Revitalisation Program and the City of Sydney through the Precinct Activation Grant Program.</image:caption>
    </image:image>
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</urlset>

